Jerry Falwell, "agent of intolerance," body dead, soul in question

Wednesday, May 16, 2007

Jerry Falwell, "agent of intolerance," body dead, soul in question

Jerry Falwell is dead. But not forgotten. Founder of the "Moral Majority" the media is swamped with tributes to a man that should instead be castigated and scorned as a person who was intolerant and bigoted throughout his entire pastoral life. So, to set the record, in his own words, quotes to remember Jerry Falwell by:

"If you're not a born-again Christian, you're a failure as a human being".-- Rev Jerry Falwell (attributed: source unknown)

"This is probably as bad a day as the court has had on social issues since "Roe v Wade."-- Rev Jerry Falwell, reacting to the Supreme Court's ruling in the Texas sodomy case, "Lawrence v. Texas," wherein the high court upheld an individual's (or a couple's) right to privacy; "It is a promise of the Constitution that there is a realm of personal liberty which the government may not enter," said Justice Anthony M Kennedy, for the majority in an opinion "as broad in its constitutional vision as any ever issued by the court," wrote Charles Lane for The Washington Post; in his dissent, Justice Antonin Scalia, an extremist Evangelical Christian, complained that the justices voting to uphold the right to privacy were creating a new constitutional right, that they were not upholding the Constitution, quoted from "Planned Parenthood Federal Action Report" (July, 2003)

"I had a student ask me, "Could the savior you believe in save Osama bin Laden?" Of course, we know the blood of Jesus Christ can save him, and then he must be executed".-- Rev Jerry Falwell, cited in Cary McMullen, "Falwell: Now Is the Time for Gospel," in the Lakeland (Florida) Ledger (November 12, 2001), quoted from Randy Cassingham, This is True (18 November 2001). Falwell added: "We visit prisoners on death row, and some of them are saved, but we believe their sentences should be carried out because they have a debt to society."

"God continues to lift the curtain and allow the enemies of America to give us probably what we deserve".-- Rev Jerry Falwell, blaming civil libertarians, feminists, homosexuals, and abortion rights supporters for the terrorist attacks of Tuesday, September 11, 2001, to which Rev Pat Robertson agreed, quoted from John F Harris, "God Gave US 'What We Deserve,' Falwell Says," The Washington Post (September 14, 2001)

"The ACLU's got to take a lot of blame for this".-- Rev Jerry Falwell, blaming civil libertarians for the terrorist attacks of Tuesday, September 11, 2001, to which Rev Pat Robertson again agreed, quoted from AANEWS #958 by American Atheists (September 14, 2001)

"And, I know that I'll hear from them for this. But, throwing God out successfully with the help of the federal court system, throwing God out of the public square, out of the schools. The abortionists have got to bear some burden for this because God will not be mocked. And when we destroy 40 million little innocent babies, we make God mad. I really believe that the pagans, and the abortionists, and the feminists, and the gays and the lesbians who are actively trying to make that an alternative lifestyle, the ACLU, People for the American Way -- all of them who have tried to secularize America -- I point the finger in their face and say, "You helped this happen."-- Rev Jerry Falwell, blaming civil libertarians, feminists, homosexuals, and abortion rights supporters for the terrorist attacks of Tuesday, September 11, 2001, quoted from John F Harris, "God Gave US 'What We Deserve,' Falwell Says," The Washington Post (September 14, 2001)

"I sincerely believe that the collective efforts of many secularists during the past generation, resulting in the expulsion from our schools and from the public square, has left us vulnerable".-- Rev Jerry Falwell, after the 700 Club broadcast wherein he had blamed civil libertarians, feminists, homosexuals, and abortion rights supporters for the terrorist attacks of Tuesday, September 11, 2001, speaking to The New York Times, quoted from Dick Meyer, "Holy Smoke," CBS News (September 15, 2001)

"I put all the blame legally and morally on the actions of the terrorist, [but America's] secular and anti-Christian environment left us open to our Lord's [decision] not to protect. When a nation deserts God and expels God from the culture ... the result is not good".-- Rev Jerry Falwell, backpedaling amidst criticism of his statement blaming civil libertarians, feminists, homosexuals, and abortion rights supporters for the terrorist attacks of Tuesday, September 11, 2001, quoted from John F Harris, "God Gave US 'What We Deserve,' Falwell Says," The Washington Post (September 14, 2001)

"Pat, did you notice yesterday the ACLU, and all the Christ-haters, People For the American Way, NOW, etc. were totally disregarded by the Democrats and the Republicans in both houses of Congress as they went out on the steps and called out on to God in prayer and sang "God Bless America" and said "let the ACLU be hanged"? In other words, when the nation is on its knees, the only normal and natural and spiritual thing to do is what we ought to be doing all the time -- calling upon God".-- Rev Jerry Falwell, justifying the breech of Constitutional Separation of Religion from Government while blaming civil libertarians for the terrorist attacks of Tuesday, September 11, 2001, to which Rev Pat Robertson again agreed, quoted from AANEWS #958 by American Atheists (September 14, 2001)

"I hope I live to see the day when, as in the early days of our country, we won't have any public schools. The churches will have taken them over again and Christians will be running them. What a happy day that will be!"-- Rev Jerry Falwell, America Can Be Saved, 1979 pp. 52-53, from Albert J Menendez and Edd Doerr, The Great Quotations on Religious Freedom

"AIDS is not just God's punishment for homosexuals; it is God's punishment for the society that tolerates homosexuals".-- Jerry Falwell (attributed: source unknown)

"The idea that religion and politics don't mix was invented by the Devil to keep Christians from running their own country".-- Rev Jerry Falwell, Sermon, July 4, 1976

"If we are going to save America and evangelize the world, we cannot accommodate secular philosophies that are diametrically opposed to Christian truth ... We need to pull out all the stops to recruit and train 25 million Americans to become informed pro-moral activists whose voices can be heard in the halls of Congress. I am convinced that America can be turned around if we will all get serious about the Master's business. It may be late, but it is never too late to do what is right. We need an old-fashioned, God-honoring, Christ-exalting revival to turn American back to God. America can be saved!"-- Jerry Falwell, "Moral Majority Report" for September, 1984

"It appears that America's anti-Biblical feminist movement is at last dying, thank God, and is possibly being replaced by a Christ-centered men's movement which may become the foundation for a desperately needed national spiritual awakening".-- Jerry Falwell (attributed: source unknown)

"There is no separation of church and state. Modern US Supreme Courts have raped the Constitution and raped the Christian faith and raped the churches by misinterpreting what the Founders had in mind in the First Amendment to the Constitution".-- Jerry Falwell (attributed: source unknown)

"The Bible is the inerrant ... word of the living God. It is absolutely infallible,without error in all matters pertaining to faith and practice, as well as in areas such as geography, science, history, etc.".-- Jerry Falwell, Finding Inner Peace and Strength

"But these things speak evil of those things, verse 10 [reading from Jude] which they know not: but what they know naturally, as brute beasts, in those things they corrupt themselves. Look at the Metropolitan Community Church today, the gay church, almost accepted into the World Council of Churches. Almost, the vote was against them. But they will try again and again until they get in, and the tragedy is that they would get one vote. Because they are spoken of here in Jude as being brute beasts, that is going to the baser lust of the flesh to live immorally, and so Jude describes this as apostasy. But thank God this vile and satanic system will one day be utterly annihilated and there'll be a celebration in heaven".-- Rev Jerry Falwell, "Old Time Gospel Hour" broadcast, March 11, 1984, quoted by Rev Jerry Sloan, "Is Jerry Falwell a liar?" Freedom Writer, September, 1994

"The Jews are returning to their land of unbelief. They are spiritually blind and desperately in need of their Messiah and Savior".-- Jerry Falwell, Listen, America!

"Grown men should not be having sex with prostitutes unless they are married to them".-- Jerry Falwell, on CNN's Crossfire, May 17, 1997

"I do not believe the homosexual community deserves minority status. One's misbehavior does not qualify him or her for minority status. Blacks, Hispanics, women, etc., are God-ordained minorities who do indeed deserve minority status".-- Rev Jerry Falwell, USA Today Chat, quoted from The Religious Freedom Coalition, "The Two faces of Jerry Falwell"

"We're fighting against humanism, we're fighting against liberalism ... we are fighting against all the systems of Satan that are destroying our nation today ... our battle is with Satan himself".-- Rev Jerry Falwell (attributed: source unknown)

"Billy Graham is the chief servant of Satan".-- Rev Jerry Falwell (attributed: source unknown)

"The ACLU is to Christians what the American Nazi party is to Jews".-- Rev Jerry Falwell (attributed: source unknown)

"AIDS is the wrath of a just God against homosexuals. To oppose it would be like an Israelite jumping in the Red Sea to save one of Pharoah's chariotters".-- Rev Jerry Falwell (attributed: source unknown)

"You'll be riding along in an automobile. You'll be the driver perhaps. You're a Christian. There'll be several people in the automobile with you, maybe someone who is not a Christian. When the trumpet sounds you and the other born-again believers in that automobile will be instantly caught away -- you will disappear, leaving behind only your clothes and physical things that cannot inherit eternal life. That unsaved person or persons in the automobile will suddenly be startled to find the car suddenly somewhere crashes.... Other cars on the highway driven by believers will suddenly be out of control and stark pandemonium will occur on ... every highway in the world where Christians are caught away from the drivers wheel".-- Rev Jerry Falwell, in his pamphlet, "Nuclear War and the Second Coming of Christ," quoted from Ronnie Dugger,"Does Reagan Expect a Nuclear Armageddon?" in Washington Post Outlook (April 8, 1984)

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New Community Radio Station is Launched in Key West

A new radio station, KONK-AM on the dial, was launched on May 26,2009, in Key West. It has evolved to its current place on the dial, at 1500AM, broadcasting from studios at 1106 White Street in the island city and can be heard from Islamorada to Havana, Cuba.

It is Community Radio, broadcasting its AM signal from a tower on Stock Island, and is most easily heard, cystal clear, on the web site, http://www.konkam.com/

I host my own show, ARTWAVES, weekdays at 11am until noon.
We talk about the arts, it's value, impact, where we find it, create it, support it. My guests range the full gamut, from filmmakers, poets, writers, sculptors, painters, jugglers/buskers, dancers (from ballet to modern), musicians of all stripes, arts administrators, policy makers and shakers, and advocates, gallery owners and operators, photographers, even a longboard artisan who creates stunning pieces from woods found only in the Keys, theater actors and directors, operatic singers, divas from dive bars and lounges, treasure hunters and finders, too!

Join in weekdays. Each hour brings another show host, a new program on different topics and issues. All Talk Radio, with live music added in as well. Tune in! Catch a wave...

Blame it all on the 70's

Author Thomas Hine argues we're still suffering from that "slum of a decade" that brought us gas lines, pantsuits and shag rugs.

If the left and right agree on almost nothing else, we agree at least on this: America's in terrible shape. Such shocking shape that -- how did we come to this? -- it might not actually survive.
And there our dialogue dissolves. The things about America you diagnose as lethal are the very things your megachurch-belonging cousin with the rifle rack in his truck prays might save its life. And vice-versa. Gay rights. Abortion rights. Prayer in the schools. Environmentalism. Corporations. Porn. There the shouting, and possibly shooting, begins.
How did we come to this? It's the '70s' fault, writes Thomas Hine in The Great Funk: Falling Apart and Coming Together (on a Shag Rug) in the Seventies (Farrar Straus Giroux, 2007), a richly if incriminatingly illustrated book about a traumatic "slum of a decade" in which "the country was running out of promise."
Well, the '60s were a hard act to follow.
"Only a decade before," Hine muses, "as the nation anticipated the conquest of space, the defeat of poverty, an end to racism and a society where people moved faster and felt better than they ever had before, it seemed that there was nothing America couldn't do." Flash-forward through Watergate, gas crises, helicopters escaping Saigon -- and "to live in the seventies was to live in a fallen world, one of promises broken and trust betrayed." Hine ticks off that decade's insults to heart, mind and eye: "The politicians were awful. The economy was awful. The insipid harvest gold and avocado kitchens were awful." Ditto gas lines, AMC Pacers, and pantsuits.
Nearly everyone who lived through those years would nod, flinching.
An eternal question about any era during which one was young is: Was the whole world embarrassing, or was it just me? As regards the '70s: It wasn't just you. A longtime design critic -- thus more sensitive than most to beanbag chairs and Bicentennial-patterned carpeting -- Hine painstakingly skewers pyramid power and Virginia Slims in chapters whose pop-culture-referencing titles evoke the chronic inferiority complex of those disappointed times: "Running on Empty," for instance, and "It's Too Late," and "Not Ready for Prime Time?"
Yet his skewering has an obligatory quality, a must-mock-Midler delliberateness. It's a setup. Because this book's real point is to burrow deep into the shag rugs and chest hair and extract wisdom. Yes, your dad lost his job. And disco sucked. But from an era that is all too easy to dismiss as silly, trivial and grim sprang most of the essential issues inflaming our discourse today. Grounds for celebration or destruction or for civil war, depending on whom you ask, were cultivated in that decade, in a petrie dish that smelled of Diet Pepsi, amyl nitrate, apple-spice air freshener and, well, funk.
Ecology. Diversity. Ethnic and sexual identity. Individuality. Alternative sources of energy. Feminism. Fundamentalist spirituality. Retrace our steps (in Earth shoes and a crocheted vest and Dacron flares, of course) through Jimmy Swaggart and solar-heated geodesic domes and blaxploitation films and the Village People and you will find it there, albeit all innocent and earnest and embryonic. And not just the topics themselves but the ways in which we face them now: our wary citizen-journalist vigilance, questioning authority, scoping out conspiracies, pursuing truthiness. The '60s tend to get all the credit -- for rebellion, for consciousness-raising, for everything. And those who were young in the '70s faced a deafening chorus roaring: You missed the boat and are, indeed, too late.
The era they'd missed had been imbued with a wild easy-rider-come-together optimism. "Even the protestors of the sixties," notes Hine, who is old enough to have been one of them, "objected that America was using its immense wealth and power to do the wrong things, not that it did things wrong. Yet during the seventies it seemed that the United States couldn't do anything right." And it was precisely that shattering of optimism, the serial humiliations of Nixon and Vietnam and ugly urban sprawl and the wracking poverty spawned by inflation and massive layoffs, that spawned a strange new kind of solidarity. A desperate bottom-of-the-barrel creativity. The sneaky kind of freedom that breaks chains and opens doors when -- to paraphrase Kris Kristofferson's "Me and Bobby McGee" -- you've got nothing to lose. And that, of course, was the last song Janis Joplin recorded before she died in 1970. Among baby boomers, Hine writes, "the song's refrain ... was heard as a kind of epitaph." Her death was itself a loss, thus one less thing to lose. As was Jimi's, one month before, and Jim Morrison's, one year hence. As was the Beatles' slow-motion collapse: mere markings on a timeline now and, to most, funny ancient history: Yoko smiling and smug, Linda singing off-key into a switched-off mic, flashing past in the neat anodyne black-and-white of documentaries. But to a generation raised to be the center of attention, the first wave to worship rock-'n'-roll, these losses wrought a shocking loss of innocence. The long and winding road was cracked.
But hey. "When the center cannot hold, well, that's good for those out on the edge," Hine reasons. "When the forces of order are revealed to be a malign conspiracy, it's a good time for a party."
And in that spreading uncertainty, "when the system weakened, the oddballs and malcontents found an opening. It became possible to try out identities and find solidarity with other rare birds like yourself." Failures, deaths and disasters had proven space-age optimism and patriotism illusory. Yet as darkness fell without, light swelled within: "Awareness of a world with limits allowed people to impose fewer limits on themselves and to explore frontiers within themselves." Struggling up out of the ruins of shared midcentury assumptions, Americans dusted themselves off and decided that their ripped jeans required patches -- but which to choose? Smiley faces, pot leaves, praying hands? In that scramble, Americans discovered a new icon:
Me.
Not me, who sits here writing this, but "me" as an idea. An ideology. A literature, a style. An endless source of fascination. "Finding your identity was extremely important," Hine writes of an era when "each family member dressed to express" -- with enormous clashing checks and plaids, with star-studded lace-up boots and "fun fur" skirts and factory-embroidered faux batiks, sudsing with a shampoo only the '70s could spawn: It was called Gee, Your Hair Smells Terrific. It was an era when, tellingly, Life magazine folded and People began.
Yes, this arguably turned us into narcissists. But Hine strives to show how all that mirror-gazing also brought self-awareness, direction and long-overdue self-acceptance to countless Americans, even if some of the gazing occurred over the tops of cocaine straws. And sometimes me morphed into an empowering we.
"The history of the seventies is dominated by the rise of like-minded but hitherto marginal individuals asserting the validity of their ways of seeing and doing things. Not all these ways of thinking were ultimately liberating. Nevertheless, finding that there were others who thought and felt as you did was liberating itself." The resounding popularity of the 1977 miniseries Roots, for example, "reached far beyond the African-American community" and, "as its title suggested ... spoke to a wider desire by all sorts of people to know about the circumstances and experiences of their forebears and to connect with their traditions. Roots, by telling such a rich story about slaves, for which the historical and genealogical record was presumed to be sparse, encouraged others whose ancestors didn't arrive on the Mayflower to look for evidence of these humbler lives."
Other corporate products, however cynically motivated, served as touchstones for what are today's identity politics. The 1973 film Jesus Christ Superstar, along with Jimmy Carter's born-againism and Hal Lindsey's 1970 megabestseller The Late Great Planet Earth -- which prophesied the end of the world and the Second Coming and sold 28 million copies -- alternately seduced and scared legions of Americans into "a Christian consciousness," Hine writes, "that was very different from the liberal Christianity that had become the consensus during the post-World War II era."
Disco sowed the seeds of technomusic. Funk sowed the seeds of hip-hop. Compact cars -- despite the Pinto's tendency to explode when rear-ended -- sowed the seeds for Priuses. Shattered ideals sowed the seeds of dissent.
The scrutiny was nonstop. "One of the fundamental approaches" of the groundbreaking 1973 women's-health manual Our Bodies, Our Selves "was self-examination," Hine reminds us, "and some passages were written to be read while holding a mirror, so that readers could discover previously unexplored parts of their own bodies. It was easier, however, to learn by looking at someone else's body. Many women recall consciousness-raising sessions at which, speculum in hand, they examined the vaginas of their fellow participants in order to understand what was inside themselves." During those same years, he points out, Hustler magazine revolutionized over-the-counter porn by printing "pink shots" -- interior photos, as it were. Ironically, if for different reasons, "feminists were engaged in much the same exploration."
Apocalyptic and disco fantasies mixed giddily in those years with a yen for authenticity -- by which yogurt and animal-rights activism and vibrators became mainstream, and by which manufacturers got rich churning out decor in feculent "earth tones." And this is what marks the '70s: this urgency, this dazed, tender, ever-so-public awakening on the cusp between Strawberry Fields and multinationals. It was the decade when a hundred pride movements bloomed. So much pride, so little embarrassment.
And that's what makes the '70s, arguably more than any other decade, so embarrassing.
But hey. They wore that Dacron so you wouldn't have to.

NUTCRACKER KEY WEST 2007

The Nutcracker Key West production, just ended at the Tennessee Williams Theatre, has been dazzling, spectacular and simply phenomenal. Joyce Stahl's amazing reimagined staging of the classical ballet with Key West imagery set records as well as setting audiences ablaze with a rapture usually reserved for high cathedrals or the New York stage.
Eleven performances, over 4500 attended, with the last 6 shows sold out. The Paradise Ballet Theatre brought in the many talents of 18 professional dancers from esteemed ballet companies in the US, with Alun Jones reprising his role as choreographer. You can see the amazing photos at http://www.nutcrackerkeywest.com/ and more will be posted here. Plans are already underway to produce a 2008 version, as Joyce is a whirlwind of motion, not stopping or slowing down for a second. The success of this year has obviously encouraged the consideration of mounting the next show, and will advance establishing the Nutcraker Key West as a real tradition in the community.

MidSummer's Night Update

Celebrate the Most Magical Night of the Summer this Monday, August 13

We’re assembling a wonder-full Midsummer’s Night Dream and Perseid Meteor Showers “Salon Spectacle” - a night of feasting, dancing, and theatrical antics celebrating the art and artists of Key West.

Presenting on Monday, August 13, by Michael Shields and Java Studios as a joint production with Marky Pierson, Christa Hunt, and Quincy Perkins, the Salon Spectacle is being hosted by Joyce Stahl at her 727 Eaton Street home, from 7 to 11 PM. The free event has attracted over 50 artist participants including musicians, singers, dancers, painters, fire jugglers, actors, poets, storytellers, and more, with filmmakers capturing and projecting the evening’s action. George Murphy is M.C. for the festivities, with actors from The Studios of Key West “One Night Stand” presenting their 10 minute plays, on the two outdoor stages, with a band and a DJ keeping the beats, urging people to roam the property and delight in the night. Many surprises are in store!

Midsummer’s Night has been observed worldwide by many cultures and seen as a time when the veil between this world and the next was thin, and when powerful forces were abroad. On Midsummer’s, legend held that you could gain the powers of a bard – or on the downside, end up utterly mad, dead, or whisked away by spirit faeries. Romances flourish, affairs are begun, mystery and mischief abound.

While traditionally celebrated on the Summer Solstice, in Key West, Midsummer’s Night is indeed the midpoint of the summer, between the Solstice and the Equinox. It is also the occasion of the annual Perseid Meteor showers, a true celestial event, displaying the most spectacular shooting stars of the year.

Midsummer’s Night “Salon Spectacle” is being created to celebrate why we live here, and to give artists a voice and a platform to share the power of their dreams. The launch of the Salon on this cosmic night of community is intended to stimulate the arts, foster greater awareness and spawn further Salon style projects. All are invited to join the creation of the Midsummer’s Night. Costumes are caliente! Dancing is delightful! Food and beverage provided.

It all begins with a dream. What is yours? Show your star!

Questions?
Call Michael Shields at 305-394-3804, or email michael@javastudios.org

Mid Summer’s Night Dream & the Perseid Meteor Showers SALON SPECTACLE

Come Celebrate the Most Magical Key West Night of Summer and Share Your Dream ! AUGUST 13th.
The evening historically is a fire festival called Midsummer's Day or St. Johns Eve, representing the middle of summer. Traced back many thousands of years, observed throughout Europe by many cultures, and later called St. John's Eve, which was seen as a time when the veil between this world and the next was thin, and when powerful forces were abroad.
Vigils were often held during the night. It was said that if you spent a night at a sacred site during Midsummer Eve, you would gain the powers of a bard, on the down side you could also end up utterly mad, dead, or be spirited away by the spirit faeries. Indeed, St. Johns Eve was a time when faeries were thought to be abroad and at their most powerful (hence Shakespeare's Midsummer Night's Dream). Herbs gathered and foods eaten then are thought to be imbued with the power of the sun. Add to this the influence of the later sister summer festival of Lughnasa and the circle of fire is further made brilliant, promising abundance and peace in the coming harvest (and, an invigorated arts scene in Key West!)

The community gathers on this special night for the Midsummer's SALON. It is a night of feasting, dancing, theatrical antics and celebrating Mother Nature's summer bounty. While traditionally celebrated on the Summer Solstice, in Key West, Midsummer’s Night is indeed the middle of the summer, midway between the Solstice and the Equinox, or also seen as mid-point of the April-November axis when Summer weather prevails.

It is also the occasion of the annual Perseid Meteor showers, a true celestial event, displaying the most spectacular shooting stars of the year, August 12-13, 2007.

The most gifted musicians play their instruments, filling the night with their magical music. Performers from all avenues join to make the evening memorable and marvelous. Dancers swirl, painters create stories, wordsmiths paint pictures, and above all, dreams are woven in the night air and the shooting stars are witness.
PLUS, we’ll have prepared and festive summer food and beverage - the Keys’ most delectable and tasty – And FUN!
You are Invited ! Read ahead…

Key West is a haven for artists and now’s the time to step forward to further deepen our appreciation for the arts on this truly celestial evening.
Mid Summer’s Night is ideal to celebrate that we live here, to give voice and a platform to experience what gives meaning and pleasure to everyone. You can be heavy or you can be light, sweet or savory, it’s all tasty.
On this Night, we launch The SALON - the channel to make it all happen and set the stage for future SALON development.
Hosted at the home of Joyce Stahl, 727 Eaton Street and 328 William Street, presented by Java Studios and Michael Shields.

And YOU are the Creator of Mid-Summer’s Night!

What is YOUR Dream? Tell Everyone !
Say it in words, song, dance, film, and…?
The Night invites you to show your Star
From pre-sunset to midnight, every fifteen minutes, your turn to shine will be scheduled as you spotlight your talent, your idea, your song, your poem, whatever makes you shine!
We are seeking YOU - Artists, Actors, Singers & Songwriters, Dancers, Poets, Writers, to make the Mid-Summer’s Night a Carnivale, a Celebration of Celestial Light.
RSVP... by August 3…to be part of the SALON & Stage
RSVP… by August 10…to come to the NIGHT and see and hear the dreams being displayed and woven…
Stars In The Making!
394-3804…RSVP…

…Be creative!
and Circle The Date!

JAVA STUDIOS - Media That Matters and Community Development

Wednesday, May 16, 2007